Marriage can be a real killer.
One of the most critically acclaimed suspense writers of our time, New York Times bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The Chicago Tribune proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” Gone Girl’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn.
On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer?
As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet?
With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around. Read more about Russell Readers Book Discussion
In May 1943, an Army Air Forces bomber crashed into the Pacific and quickly sank, leaving behind only two survivors bobbing helplessly in the restless seas. One of them was Louis Zamperini, a 26-year-old airman who had overcome a troubled past to become an Olympic athlete. After 47 perilous days adrift on a raft, Zamperini and his companion survivor were rescued by the Japanese navy. He remained a prisoner of war until the end of hostilities. This riveting narrative by the author of Seabiscuit is the story of one plucky man. Now ninety-three, Louis Zamperini lives on. Read more about Russell Readers Book Discussion
Her life spanned fewer than 40 years, but she was the last Egyptian pharaoh and one of the most influential women of the age. She married twice, each time to a brother; she poisoned one and waged a war against the other. To this day, the life of Cleopatra VII (69-30 B.C.) intrigues us. This adept biography by Pulitzer Prize-winning author Stacy Schiff tells us why it should. The true story of the woman behind the myth. Read more about Russell Readers Book Discussion
Her life spanned fewer than 40 years, but she was the last Egyptian pharaoh and one of the most influential women of the age. She married twice, each time to a brother; she poisoned one and waged a war against the other. To this day, the life of Cleopatra VII (69-30 B.C.) intrigues us. This adept biography by Pulitzer Prize-winning author Stacy Schiff tells us why it should. The true story of the woman behind the myth. Read more about Russell Readers Book Discussion 'Cleopatra' by Stacy Schiff
To five-year-old-Jack, Room is the world. . . . It's where he was born, it's where he and his Ma eat and sleep and play and learn. At night, his Ma shuts him safely in the wardrobe, where he is meant to be asleep when Old Nick visits.
Room is home to Jack, but to Ma it's the prison where she has been held for seven years. Through her fierce love for her son, she has created a life for him in this eleven-by-eleven-foot space. But with Jack's curiosity building alongside her own desperation, she knows that Room cannot contain either much longer.
Bounty hunter Stephanie Plum’s life is set to blow sky high when international murder hits dangerously close to home, in this dynamite novel by Janet Evanovich.
Before Stephanie can even step foot off Flight 127 Hawaii to Newark, she’s knee deep in trouble. Her dream vacation turned into a nightmare, and she’s flying back to New Jersey solo. Worse still, her seatmate never returned to the plane after the L.A. layover. Now he’s dead, in a garbage can, waiting for curbside pickup. His killer could be anyone. And a ragtag collection of thugs and psychos, not to mention the FBI, are all looking for a photograph the dead man was supposed to be carrying.
Only one other person has seen the missing photo—Stephanie Plum. Now she’s the target, and she doesn’t intend to end up in a garbage can. With the help of an FBI sketch artist Stephanie re-creates the person in the photo. Unfortunately the first sketch turns out to look like Tom Cruise, and the second sketch like Ashton Kutcher. Until Stephanie can improve her descriptive skills, she’ll need to watch her back.
Over at the bail bonds agency things are going from bad to worse. The bonds bus serving as Vinnie’s temporary HQ goes up in smoke. Stephanie’s wheelman, Lula, falls in love with their largest skip yet. Lifetime arch nemesis Joyce Barnhardt moves into Stephanie’s apartment. And everyone wants to know what happened in Hawaii?
Wednesday, September 12, 2012 - 11:00am to 12:30pm
Twelve-year-old CeeCee Honeycutt is in trouble. For years, she has been the caretaker of her psychotic mother, Camille-the tiara-toting, lipstick-smeared laughingstock of an entire town-a woman trapped in her long-ago moment of glory as the 1951 Vidalia Onion Queen. But when Camille is hit by a truck and killed, CeeCee is left to fend for herself. To the rescue comes her previously unknown great-aunt, Tootie Caldwell.
In her vintage Packard convertible, Tootie whisks CeeCee away to Savannah's perfumed world of prosperity and Southern eccentricity, a world that seems to be run entirely by women. From the exotic Miz Thelma Rae Goodpepper, who bathes in her backyard bathtub and uses garden slugs as her secret weapons, to Tootie's all- knowing housekeeper, Oletta Jones, to Violene Hobbs, who entertains a local police officer in her canary-yellow peignoir, the women of Gaston Street keep CeeCee entertained and enthralled for an entire summer.
Laugh-out-loud funny and deeply touching, Beth Hoffman's sparkling debut is, as Kristin Hannah says, "packed full of Southern charm, strong women, wacky humor, and good old-fashioned heart." It is a novel that explores the indomitable strengths of female friendship and gives us the story of a young girl who loses one mother and finds many others.
The partners at Finley & Figg often refer to themselves as a “boutique law firm.” Boutique, as in chic, selective, and prosperous. Oscar Finley and Wally Figg are none of these things. They are a two-bit operation of ambulance chasers who bicker like an old married couple. Until change comes their way—or, more accurately, stumbles in. After leaving a fast-track career and going on a serious bender, David Zinc is sober, unemployed, and desperate enough to take a job at Finley & Figg.
Now the firm is ready to tackle a case that could make the partners rich—without requiring them to actually practice much law. A class action suit has been brought against Varrick Labs, a pharmaceutical giant with annual sales of $25 billion, alleging that Krayoxx, its most popular drug, causes heart attacks. Wally smells money. All Finley & Figg has to do is find a handful of Krayoxx users to join the suit. It almost seems too good to be true . . . and it is.
One Thousand White Women is the story of May Dodd and a colorful assembly of pioneer women who, under the auspices of the U.S. government, travel to the western prairies in 1875 to intermarry among the Cheyenne Indians. The covert and controversial "Brides for Indians" program, launched by the administration of Ulysses S. Grant, is intended to help assimilate the Indians into the white man's world. Toward that end May and her friends embark upon the adventure of their lifetime. Jim Fergus has so vividly depicted the American West that it is as if these diaries are a capsule in time.
In the small village of Edgecombe St. Mary in the English countryside lives Major Ernest Pettigrew (retired), the unlikely hero of Helen Simonson’s wondrous debut. Wry, courtly, opinionated, and completely endearing, the Major leads a quiet life valuing the proper things that Englishmen have lived by for generations: honor, duty, decorum, and a properly brewed cup of tea. But then his brother’s death sparks an unexpected friendship with Mrs. Jasmina Ali, the Pakistani shopkeeper from the village. Drawn together by their shared love of literature and the loss of their spouses, the Major and Mrs. Ali soon find their friendship blossoming into something more. But village society insists on embracing him as the quintessential local and regarding her as the permanent foreigner. Can their relationship survive the risks one takes when pursuing happiness in the face of culture and tradition?